venerdì 24 aprile 2009

Gyspy Blood


Japanese band:


The second and last album of a little known Japanese band. I heard mentions that these five musicians were insired by works of Happy End but I think that their immediate inspirers were rather American bands of that time than local performers. Particularly the sound comparing to Happy End is harder although some parallels can be drawn on second part of the record. Stylistically the album is made in the manner of typical American folk- and country-rock a la CSN&Y, Buffalo Springfield, late Byrds, early Eagles etc., in some tracks you can find a decent grain of psychedelia in Grateful Dead style and a couple of songs closer to bluesy psychedelia in the vein of Quicksilver Messenger Service. In CD reissue there are 4 bonus tracks – this is an addition of 1973 band work, and one of the compositions there includes oriental motives. In the role of record producer was Miki Curtis – a well-known figure of Japanese stage of the time and the ex-leader of Samurai. All piano parts were performed by Alan Merrill, future leader of Japanese glam-rockers Vodka Collins, and organ parts by former Spiders member Katsuo Ohno. In general it's a very good performance, very consistens play of instrumentalists, great vocal harmonies. Nice work.



mercoledì 8 aprile 2009

Samurai


Samurai - "Kappa" {Japan} [1971] (Heavy-Progressive)


This was not the British band with Dave Lawson, but a Japanese one.
They moved to Britain in the late 60's, and got a contract with Philips.
They were also joined by several British members and released a couple of albums. "Kappa" from 1971 reveals a band in the heavy-progressive vein and with a thing for lengthy jams and improvisations. This is especially apparent on the instrumental 22-minute "King Riff and Snow Flakes" that takes up the whole of side 2. Heavy guitar and organ dominates the sound, and literally every musician in the group is allowed to stretch out. The first side is a lot more structured and song-oriented, although the 10-minute opener "Trauma" also features lengthy improvisations. "Same Old Reason" is a strong tune with harpsichord and nice themes. The ballad "Daredatta" is sung in Japanese and dominated by the flute of Miki Curtis. "Vision of Tomorrow" is a straightforward and traditional 70's hard rock song. Overall, quite solid and enjoyable stuff if you're into early 70's heavy progressive rock with lengthy solos and instrumental passages. http://www.vintageprog.com/sss.htm
Samurai – a Japanese group led by vocalist/flautist Miki Curtis. They went to Europe in late 1967, picking up some European members and thus becoming half-Japanese. In London they recorded a single and their debut album, the double-LP [so I’m told] ‘Samurai’ a.k.a. ‘Miki Curtis & Samurai’ [German Metronome, 1970], as well as a single only released in Italy. They should not be confused with the UK group of the same name, who released a self-titled LP on Greenwich in 1971.
Their second album, ‘Green Tea’ [Philips, 1970], is as far as I can tell simply a single-LP repackaging of the debut only released in Japan, to where the band had returned. The last album that I know of is ‘Kappa’ [Philips, 1971]. The band played a varied kind of psychedelic progressive rock, occasionally a bit hard-rocking, with jazzy and exotic Asian touches. They’ve been compared by Vernon Joyson to Andwella’s Dream and early Traffic. The music on their first album [the only one I’ve heard] is fairly accessible, but without at all sacrificing quality or creativity. On ‘Kappa’ they reputedly played lengthier tracks with more of a heavy progressive leaning. ‘Samurai’/’Green Tea’ [single LP version] was reissued on CD by P-Vine. The bass player, Tetsu Yamauchi, was later in Friends [see above], Free and The Faces, as well as pursuing a brief solo career. Drummer Yujin Harada was later in the last incarnation of Far East Family Band [see above]. Graham Smith, credited on harmonica on the first 2 albums, is probably the same person who later played violin in String Driven Thing and Van Der Graaf.

1 - Trauma (10:18)
2 - Same Old Reason (2:49)
3 - Daredatta (3:38)
4 - Vision Of Tomorrow (3:52)
5 - King Riff And Snow Flakes (22:28)

Line-up- Miki Curtis: Vocals, Flute- Joe Dunnet: Guitar- Yamauchi Tetsuo: Bass- Harada Yuji: Drums- John Redfern: Organ- Hiro Izumi: Guitar, Koto- Mike Walker: Vocals, Piano- Graham Smith: Harmonica

domenica 5 aprile 2009

Czy Mnie Jeszcze Pamietasz


Czesław Niemen
was one of the most important and original Polish singer-songwriters and rock balladeers of the last quarter-century.
He made his debut in the early 1960s, singing Polish rock and soul music.
Raccomandate


lunedì 30 marzo 2009

(Les) Dionysos



Dionysos - Le Prince Croule

01 Lever du Prince
02 Chanson du Courage
03 Demain la Vie
04 Terreur et Masque
05 Le Prince Jardine
06 Safari
07 Ballade Inquiete
08 Terreur et Jouie - Le Prince Croule
Canada - 1970
(Les) Dionysos
Personnel:

ERIC CLÉMENT gtr
JEAN PIERRE LEGAULT bs
ROBERT LEPAGE drms, perc
ANDRÉ MATHIEU organ
PAUL ANDRE THIBERT vcls, hrmnca, flute


ALBUMS:

1(A) LE GRAND JEU (Jupiter 8032) 1970 R2
2(A) LE PRINCE CROULE (Zodiacque 6001) 1970 R1

NB: (1) and (2) reissued as a double album Collection Dionysos (Trans World ) 1974.
45: 1 L'age D'or/L'age D'or (Jupiter 1216) 1969

A heavy progressive Quebec band. Like much of this genre their albums are very keyboard-driven and quite self-indulgent. It certainly has its moments and if you're into heavy rock and can cope with lyrics sung in French, these albums could be for you. The 45 cut is an instrumental from the second album.
Very Rare Superb

giovedì 12 marzo 2009

Ergo Sum



Ergo Sum came from France and released its only album in 1971 on the small label Theleme. They played progressive rock of the best kind and the compositions were all very well done. Ergo Sum came from Aix-en-Provence, France and was founded in 1968 by Lionel Ledissez and Jean Guerin, who joined with three other talented musicians. The aim of them was to expand their musical horizons, as they all got experiences in other local bands before. One played progressive-rock with a lot of instruments, as flute, Hammond and Wurlitzer organ, violin, electric and acoustic guitars, drums, congas and percussion.
In November 1971 their only album Mexico was released in a number of 3,000 copies, which were distributed in France, Belgium and Switzerland as well as imported all over the rest of Europe.
Today this album is very much sought-after, as its brilliance is discovered today.
After playing further gigs at festivals and youth centers, they disbanded in July 1972 after a performance at a festival in Metz.

Raccomandate
Downloads Link : http://sharebee.com/9f0baf02

venerdì 23 gennaio 2009

"Baltik" 1973 Sweden



"Baltik" 1973 CBS S 65581, Sweden


John Gustafson
Claes Jansson
Tomas Ledin*
Malando Gassama*
Ola Brunkert*
Anders "Henkan" Henriksson
Bengt DahlenBjorn J-son Lindh*
Beverly Glenn
David Garriock
Adrian Moar
Goran Lagerberg
Mike Watson
Jan Schaffer*
Jan BandelKarin Stigmark*


Recorded with ABBA; Jan Schaffer is also a notable jazz artist in his own right, known in Sweden and beyond.


This somewhat gloomy, progressive album, comprising cream of the crop of the era's Nordic session scene, plus one bass virtuoso from England, John Gustafson (Roxy Music, Quatermass, Ian Gillan Band, Hard Stuff) is now one of the ultimate collectors items for most Deep Purple, Atomic Rooster and Roxy Music afficionados. It starts off quite heavy, then the pace is slowed down with a gospel-flavoured ballad a-la early Elton and maybe Joan Armatrading (who lead singer Beverly Glenn certainly sounds like), which sets the mood for the rest of side A. Side B is filled with quirky, interesting but somewhat murky prog rock, which takes a little bit of getting used to - especially if it doesn't grab you from the first listen; give it another chance. Warning: vinyl copies change hands for hefty sums these days, especially in Europe, and no CD reissue in sight - a shame.
Alex GitlinOctober 2000